| It is commonly agreed
that all Chines martial arts as we know it, took its roots from
Shaolin temple.
The Temple had twelve upper and
lower courts and was ringed almost completely by mountains,
festooned with bamboo, cassia and cedar trees, and laced with
waterfalls. The western terrace was where Bodhiruchi did his
translations and where Tamo meditated. At the end of the Ta Yeh
period (A.D. 605-617) thieves attempted to burn the pagoda
containing Tamo's remains. When it would not burn, everyone regarded
it with awe.
Tamo (P'u-t'-ta-mo or, as he is
generally called, Bodhidharma) is a great, if mysterious, figure in
both boxing and in Ch'an (Zen). Beyond the fact that he actually
lived and came to China, little is known about him. Even the
traditional histories are not consistent regarding details of his
life. He traveled to China in about A.D. 500. After a visit with the
Emperor at Nanking he proceeded north to the Shaolin Temple in Honan.
It is said that for nine years he sat facing a wall, listening
"to the ants scream". He is represented in art as a man of
almost demonic power. Once when meditating he fell asleep. Legend
has it that this so angered him that he cut off his eyelids and
threw them to the ground, whence sprouted tea shrubs, the leaves of
which thereafter were used by the monks to deter sleep. He died at a
ripe old age.
Tamo's boxing role is even more
ambiguous than his Ch'an role. It is said that the blue eyed monk
became disturbed by the inability of the other monks to stay awake
during meditation. To counter this tendency and to improve their
health, he purportedly introduced exercise, which were the
forerunner of Shaolin boxing. Now it is known that boxing existed in
China before Tamo's coming, but how systematized it was in moot. He
is said to have left two manuscripts, only one of which has come
down to us, the Muscle Change Classic (I-chin Ching). No
verification of Tamo's authorship exists for this and the available
versions are of a much later time. W. Hu states that the earliest
mention of it in literature goes back only to 1835.
Of much more pertinence than the
dating and authenticating of the various versions of the Muscle
Change Classic is its relevance for boxing. The exercise detailed in
this work are static tensing postures, calisthenic in nature and
function. If it is assumed that Tamo created them - and this is
impossible to prove they remain distant from boxing tactics.
Therefore, it must be concluded that Tamo probably did not introduce
boxing.
Some authorities state that there
was a second Shaolin Temple located in Fukien Province. Said to have
been built by a priest named Ta Tsun-shen over one thousand years
ago, much of the data on this temple cannot be verified. D.
Bloodworth is merely one of a long line of tale - spinners when he
relates the story that the monks at the Shaolin Temple in fukien
chopped the wood for their stoves with their bare hands, because
monks in Buddhist monasteries were forbidden by their faith to use
knifes or axes. Indeed, the chief monk was reputed to have said:
"We may not have knifes, so make every finger a dagger; without
spears, every arm must be a spear, and every open hand a
sword".
Tradition has it that during the
reign of Emperor K'ang (1662 - 1723 ) imperial troops sent against
marauding bands in the western border areas were defeated. When the
Emperor asked for volunteers, 128 of the Fukien Shaolin monks
responded and routed the enemy without themselves suffering a single
casualty. Subsequently the Emperor was persuaded by Manchu officials
to send a force against the Fukien temple on a purported charge of
sedition. The temple was burned and only five monks survived the
battle. Out of this grew the anti-Manchu Triad Society or Hung
League, with the battle cry "overthrow the Ch'ing and restore
the Ming".
Both temples reportedly were burned
down by the third Manchu Emperor, Yung Cheng, but rebuilt by Ch'ien-lung
(1736 - 1795). Temple burning is not unusual in Chinese history, and
the Shaolin Temple may have been burned and rebuilt earlier also.
For example, in the great persecution of the Buddhists in A.D. 845-6
some 4,600 large temples and 40,000 minor ones were destroyed.
Despite the burning, the Shaolin Temple was the hub of boxing
activity for more than a thousand years. Shaolin boxing originally
contained eighteen forms. Emperor T'ai Tsu (r 960-76) reportedly
evolved thirty-two forms of Long Boxing and Six Steps Boxing off the
basic core. A century later Monk Chueh Yuan modified the system
further to embrace seventy-two forms. The Shaolin Temple was not
only a repository of boxing knowledge and a rigorous training
academy but, as important, a stimulus for other boxing styles.
Graduates of the Shaolin Temple spread boxing to every part of
China.
Wan Lai-sheng, an excellent boxer
but an uneven historian, has outlined Shaolin as follows: THE FIVE
SCHOOLS. All used five basic forms: Dragon, Snake, Crane, Tiger and
Leopard. The five schools, O-mei han, Wa-tang, Fukien, Kwantung and
Honan. Subsequently, Wan says, Shaolin split into northern and
southern types and boxing of the south was embraced in five schools:
1. Ta-hung Men, 2. Liu-chia Ch'uan, 3. Ts'ai-chia Ch'uan, 4.Lchia
Ch'uan, and 5. Mo-chia Ch'uan.This break-down is disputed by
historians and is given here only because it parallels traditional
belief, particularly in the south.
Source: Robert Smith - expert on
Chinese fighting forms and techniques. |